I had to go through that chapter and figure out why she didn't feel close to Kat, and why she felt closer to Ian (who was Kat's partner in the scene). I came to the conclusion that Kat made a lot of observances but had very few feelings and reactions. There's someone on the bench dressed like a widow in all-black, she sits like a man, oops --- she is a man. But I didn't have enough of Kat's reactions -- scared, agitated, frustrated, conflicted.
I had been told "show me, don't tell me" at some point in my writing development. The problem is, when I take a piece of advice, I take it to the point of applying it perfectly (hello, I'm anal-retentive) and go too far in the other direction. So Kat observed, and I figured her observations would give her an edgy, defensive feel -- they didn't.
The trick here is to let Kat have reactions and emotions without it sounding like "I felt sad", "I did this," although I guess this has to happen a little. Here's the introduction after two beta-readers. Beta-readers: have I addressed your concerns? Other readers: Do you want to know Kat better or is she a little too prickly?
May 19, 1814 (Kat)
I stepped out of shadow and stepped into the line at the gate. I had dressed like a gentleman in a smoky blue coat set off with a cravat and a striped vest. I hoped the trousers set off my tall stature and disguised the lack of manly bulge of my calves. I glanced down at myself; I looked like the men who had money, as I intended to. It took a short time jump to the Regency era and light fingers to liberate the outfits from the racks at a London clothier.
The red-faced man collecting money, who resembled a walrus I had seen in the Kansas City Zoo, waved me on. I strode confidently through the gate of Vauxhall Gardens, as men do. From a grandstand, some musicians played something I didn’t recognize, something that sounded jaunty and Germanic.
A woman in widow’s weeds passed through the gate right behind me like a wraith and strode around me. I knew she would receive scorn not only because she walked in alone, but because she marred her period of mourning for frivolities. I admired her gall and wished I could accompany her to reduce some of the harsh judgments against her, as a daring gentleman would, but she slipped away before I could offer.
However, I had come here to solve a mystery, not to engage in gallantry. An unknown someone had left a note in my (Twenty-First Century) mailbox that read, I know you are a Traveller. Meet me at Vauxhall Gardens at 8:00 PM on May 19, 1814. I will be on the first bench beyond the lights to your right. As we Travellers — time travelers from legend — kept our lives and talents secret, I felt a queasiness in my stomach thinking of that note. It could be an ambush; my contact could try to kill me or disappear me, as had been done to my mentor Berkeley back in 2015. Still, I stood in Vauxhall, the setting the stranger had picked, a land of perfume and intrigue and dalliance.
I thought I knew of all the Travellers. A few of us had met up recently at the 1904 World’s Fair, Wanda and Harold and I, to see the wonders there. We had connected by email to set a rendezvous, as we lived in far-flung cities, and Wanda had to make her face look pale under her bonnet because St. Louis had been even more racist then. We interacted as we always had — Wanda, fretful and suspicious, Harold egging me on to do something outrageous by the rules of that time, me on my guard against Harold’s capriciousness. I think that time he wanted me to raise my skirts up to my knees, which would have been disastrous socially.
We all ate ice cream cones, of course. That was what Travellers did — lived as sightseers through time, observed, partook in the activities only as much as it wouldn’t break the Time Laws — although the natural laws of Time tended to prevent influential changes to the time line. It was not like Travellers to experiment with Time, except perhaps for the daredevil stunts of the Voyageur game, such as crossing oneself in time or base jumping into another era. As I was at the top of the Voyageur boards, I guessed I experimented with time a bit. I flirted with painful crushing death from crossing myself, and I stayed alive. I was rather proud of being legendary.
As I walked toward the dark, I felt the note in my pocket as a talisman. My foray into meeting an unknown Traveller could be dangerous. I carried a sword cane, standard for gentlemen of this era, as defense. I had practiced the maneuvers needed to arm it, with a flourish that would speak of my experience. I, of course, didn’t have experience.
Torches set along the perimeter lit my way, throwing suggestive shadows on sheltered nooks. I heard a cry in the night; I would interrupt the unseen couple’s intimate business if I guessed the wrong nook. I walked toward the first bench I spied to the right, set in one of those nooks in the darkness, and there sat a single figure in all black — the widow. She had pulled knitting from her bag and set to it amid the strains of a single trumpet.
Still, this was the first nook. I would ask the widow if she had seen a man nearby.
Through her veil, I thought she watched me.
I ventured into the deeper darkness, and her words, said in a husky voice, startled me. “You are not a man. You walk like a woman.”
I grumbled, annoyed at the fact that I had been made. I had learned to fool numerous mooches in games of chance as well as the occasional cop, but I couldn’t fool this widow. I knew that, with my tall, slender build and choppy hair, looking male was as easy as binding my breasts, wearing a proper male costume — which I lifted from a shop down the road — and walking like a man, which I apparently hadn’t done.
I peered at the widow’s black skirts and lace which blended into the night, and I realized that she sat with her legs slightly spread – “You sit like a man,” I countered.
I had missed the most obvious sign of a Traveller out of time because of the dark — a Traveller sees other Travellers out of their timeline in slightly diminished colors. We are so used to this that we react instinctively. An ordinary person would never notice, so we stay hidden in plain sight. But the darkness of Vauxhall masked all the leaching of colors, and the widow wore black, so there was no way of knowing.
“Katerina Pleskovich,” the other said in a voice slightly changed. “It’s good to see you in person.” I could have sworn the stranger chuckled. The flicker of a nearby torch revealed, under a black lace mantilla, a fine nose and dark lakes for eyes.
“Okay,” I said sternly, shaking the clouds from my mind, “You have the advantage on me, and that makes you look like a stalker.” I stiffened up, my hand ready at the handle of my cane in case he was a threat to me. I didn’t know how to use a cane, but I understood how to use a knife, and hoped the cane sword was similar.
“Ian Akimoto,” he said, standing and pushing back his bonnet. In the moonlight, he was truly post-racial with glossy dark hair, wide-set Asian eyes, a long, thin nose, full lips. And an odd swirl of freckles on his high cheekbones. Not handsome, exactly, but perhaps appealing. I could not help but chuckle at this innocent boy.
He took my hand. He still wore the black gloves, which accentuated his blocky hands. He brought my hand up to his lips, a courtly gesture of the era we found ourselves in, until I pulled it away. “How do you know about me?” I snapped. I glared at his beautiful eyes, his parted hair. The darkness around us revealed no secrets of how he knew about me.
“Berkeley told me all about you,” he sighed. “And you’re even more magnificent in the flesh.”
“Berkeley?” My stomach turned into ice and I struggled to breathe. I thought as quickly as I could, a talisman against my shock – My mentor had gone by Berkeley; his real name was Alexander West. Only other Travellers would know him by Berkeley; I did, as I was the last person he had mentored. Or so I thought.
“Berkeley disappeared ten years ago. Nobody, none of us – “ by which I meant Travellers, but not necessarily the man who stood before me -- “None of us know where he is.” I felt tears in my eyes and strove to keep them hidden, knowing that weakness could be dangerous.
“He’s in hiding; I’m sworn to secrecy as to his location.” He raised his hands in front of him to stall questions. I still stood – my knees wobbled, but standing gave me the appearance of control.
“Trust me, Berkeley’s okay.” Ian sat again and patted the wrought iron bench beside him. I sat. “I can’t tell you further. It’s a Traveller thing.”
“How do I know you’re even a Traveller? You could have heard some old stories from Berkeley and thought to impersonate one of us.” I was on a roll, spurred on by my suspicion.
And not very much sense, it turned out. Ian quirked an eyebrow. “Don’t you trust the evidence of your eyes? You can see I’m slightly bleached, can’t you? I’m sorry I have to stay silent about Berkeley, but it really, really is for your own good.”
I could not see the bleached colors because of the lack of light. “You don’t get to tell me what is and is not for my own good,” I shot back. “I’m not from Regency England.”
“And Berkeley’s safety,” Ian added softly. I felt a chill.
“It doesn’t make sense,” I muttered, clutching my cane. “I’ve never heard of you.” He wasn’t a Traveller I knew, nor did he frequent the Voyageur website, but then again, only a select group of Travellers played that daredevil game. I would know, being a seasoned Voyageur myself.
Where did he know me from? “Do you have a flight name?” I insisted. If he was a Voyageur, he’d have given himself a nickname, a flight name only known among comrades. I remembered that Berkeley but would not let me choose a modest nickname --
“Kat,” the rotund, balding Berkeley had said, steepling his fingers together in his easy chair, a customary glass of brandy at his side. “You stand there in front of me with a crimson wingsuit, and you mean to tell me you want to name yourself “WildKat”? You are the most skilled Traveller in this generation, a female who has to stand up against these self-aggrandizing men – you need a name that represents your rank, not one that makes you sound like a football mascot.”
“Ok, then. What should I call myself?” I snapped.
“Wizard. That’s the name given to all the most daring and skilled in technology, in sport — computer wizards and pinball wizards and medical wizards and word wizards dot our history. Most of them are male. You, Kat, are a woman — and the wizard of jumps even at your young age. As much as I don’t like the risk, at least own your heritage.”
Berkeley’s acerbic voice rang in my ears as I looked up and Ian looked at me with feigned impatience. “Seabhag,” he said, breaking the silence I had left. The bh sounded like a harsh v. I wondered what language it was.
“Mongolian?” I asked. The band had started up in the distance, playing another oom-pah sort of tune.
“Scots Gaelic,” he smiled. “Hence the freckles.” Seabhag’s grin gave him a sly masculinity which warred with his black mantilla.
As Ian had told me his flight name, I felt obligated to give him my flight name, but he beat me to the punch after a short pause. “And you are Wizard. Berkeley said you’re aptly named.”
Before I could unleash my indignation toward him, he laid a gloved finger to my lips and said, “More people walk toward us. We should take the hint and leave.” Ian linked his hands around my waist and we blinked into elsewhen.
June 1, 2015
I credited Ian for landing us safely in a tight space – that maneuver showed at least an intermediate-level skill. I tried to assess where we were in the absolute darkness, but I couldn’t for one reason --
“Ian?” I said. “You can let me go now.” I must have twisted around in the jump, because I had buried my face in his dislodged bonnet. Historical garb didn’t mysteriously evaporate once you got – oops, I couldn’t unsee that mental picture.
Ian turned his back to me and pled, “Could you please unbutton those maddening little buttons down my back?”
“There’s no light in here. I don’t want to have to grope to get your gown off.”
Ian worked his way to the far wall, skirts swishing, then flipped a light switch. I saw his colors resolve, the subtle washed-out colors of a Traveller who had stepped outside his natural timeline.
“Now can you get me out of this evil dress?” Ian cajoled as he stomped back, holding his skirts off the floor.
I glanced around at the whitewashed stone walls and dark wooden furniture of the one-room cottage. I had fallen down a rabbit hole where little made sense. As I unbuttoned, I saw the white muslin and stays of a proper corset.
“Corset?” I asked him, stifling a giggle.
“I’m a Method actor,” he mumbled as he untied the laces so that I could tug the corset over his head.
I intended to do more than release him from the fussy trappings of Regency women’s clothing. I pulled the back of his corset wide to make sure I saw what I thought I saw – coffee-colored, freckled swirls on his otherwise golden back, the irregular swirls of Blaschko’s lines. Although all people had Blashko’s lines as part of their embryonic development, visible swirls were a sign of chimerism, or of two embryos fusing; or an outward sign of a Traveller as if we came from fused embryos. Though the Travellers knew nothing of our origins, all of us had Blaschko’s lines dark enough to be seen without ultraviolet light. I had my own lines — light caramel swirls on milk-white skin, in contrast to my dark-haired, large-eyed waifish looks. My index finger, of its own volition, reached out to trace one of the swirls, and Ian caught his breath.
“I’ll give you till forever to stop that,” he whispered.
“I’m sorry,” I muttered, and stepped back. I wanted to lazily trace those swirls all evening. They mesmerized me, like bodily imperfections often did.
Without warning, he dropped the dress and petticoats to the floor. Below the clothes, he wore black stockings with garters – black, of course, which he quickly dispatched. Then the pantalets hit the floor. I didn’t know whether to laugh hysterically or scream.
Although it felt illicit, I enjoyed his casual nudity – compact, lightly muscled, the Blaschko’s lines undulating across his torso. He had let his hair down from its bun, and it was dark brown and wavy and touched his shoulders. My first impulse was to – no.
I did not know him. I had been burned by impulse before. I couldn’t go there.
Ian turned around, saw my face, and said, “I’m really sorry, but those pantalons were scratching me in a sensitive place.”
“I don’t know you,” I snapped. “I know I sound like a total bitch here – whenever here is – but if this is an invitation, I can’t. I won’t.” I noticed I had clenched my fists.
He crossed over to a large black trunk. I suspected he rummaged for clothes that weren’t black, scratchy, or feminine.
I asked him, “When are we?” It had to be somewhere between the 1970s and my present time.
“Modern time -- your time. The middle of uncharted Scotland, where I somehow inherited an ancestral cottage.” That explained the stone walls, the use of conduit to provide electricity to lights and appliances, and the tiny size of the space. The space held a kitchen and a wood-framed futon and a dresser and very little room to stand except the space we occupied. He had landed us both in that space in a time jump from 100 years ago without collisions – I upgraded my assessment of his skill.
After he had dressed in a pair of black sweats and a t-shirt that said “University of Okoboji”, he strolled back over to sit on the couch. For the second time that night, he patted the couch and I sat down next to him, heaven knows why.
“Can I ask you some questions?” I leaned toward him. It seemed natural, because he seemed unprepossessing, personable, and gosh darn nice despite flashing me. Then again, the last man who I’d thought that about turned out to be none of those things. I leaned back, thinking of questions.
“Sure. Be aware I can’t answer all of them. And in advance, I apologize. I truly can’t. I hope you’ll trust me despite this.” His shoulders had slumped and his eyes grown weary – I would recommend he never take up poker, because his face wore emotions so completely.
“Love the freckles,” I said as I patted his cheek in an impulse.
“Woof!” he grinned and rubbed his head against my hand and buried it in his hair. Dangerous. I pulled my hand away from that thick, vibrant hair.
He looked sad, but he simply sat silently and let me ask the next question. “How do you know Berkeley?”
“He taught me advanced Traveller lessons. My parents were Travellers, but they died when I was fifteen in a time travel accident. They were not Voyageurs, not even on the Voyageurs’ radar, so you may not have heard about them. They hadn’t taught me all I needed to learn when they died, so I felt fortunate I found Berkeley when I did. He got me caught up.”
“He did more than that,” I replied. “You have higher competence than average – I haven’t assessed your full competencies yet, of course.”
“You can any time you want.” he replied softly.
“I have time, then?” This was danger, yet it called to me.
“All the time in the world.” I suddenly realized that I didn’t really know what competencies he wanted me to assess, nor which competencies I wanted to assess. So I leaned over and kissed him on his pale, freckled cheek.
Before I knew it, we lay on the futon, his body on top of mine. He laid his hands on my cheeks as he kissed me open-mouthed. As I kissed him, I felt like I had jumped off a cliff only to have my wing suit catch my fall so that I could follow the lines to sometime new and unknown. But I dared not go further.
So I executed one of the most advanced maneuvers of all – I rolled out from under him and traced my steps back home via 1814 London.
I landed in my home – Berkeley’s former home, a well-preserved Painted Lady in 2015 Kansas City, Missouri. I landed prone, on my back, on the bedroom floor, like I had been thrown in judo.
I called out to Berkeley as I always did. The house was silent, of course.
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