Tuesday, June 30, 2020

An Excerpt from Gaia's Hands



This is early on in the novel -- Chapter 3 or 4. In this chapter, Josh's tendency to watch Jeanne from afar gets challenged.

****************

By Sunday, Josh’s migraine had luckily subsided with the help of a prescription a doctor had written him. But he hadn’t figured out the vision, of course. Or what to do about Jeanne. Josh threw on coat, hat, and gloves, and walked to his friend Eric’s house in the crisp cold of the afternoon.

“Who am I?” he queried himself. An introvert, an observer of human nature, a practitioner of aikido, a writer, an instructor, only son, half-Asian. He dug deeper: a dabbler in Shinto, a pacifist, a former problem child. He felt heart and gut, ai and ki. And now, something bigger than himself — a holder of a vision, a mystery. He would not tell that last part to Eric.

Josh arrived at Eric’s apartment and knocked on the door. At 1 PM on a weekend, Eric would be awake, unless he wasn’t. One never knew with Eric, who kept programmers’ hours and drank copious amounts of caffeinated drinks. 

After a plodding pause, Eric answered the door in black sweats and a t-shirt that read “No, I won’t fix your computer”. His sandy blond hair had been combed recently, by a real comb, and his deep-set blue eyes shone clear. A good sign.  

“Eric, I need to talk to you. Do you have time right now?” How do I even begin? Josh wondered. 

Eric opened the door to chaos. “Pull up a piece of couch –” he pointed to a decrepit beige couch covered in books and papers, one leg propped up by other books and papers. 

"Where do I put the papers?" Josh swiveled around for an obvious spot.

"Drop them on the floor,” Eric shrugged.

Josh dropped them on the floor. Eric moved a couple piles of books and folded his bearlike bulk onto a spot across from the couch. Josh paused, gathered his words. After a long silence he spoke. "This will sound insane, but there’s this woman, and I think I’m in love." Josh studied his hands, felt Eric’s eyes on him.

“It’s about time. Do I know her?" Eric grimaced with his first sip of energy drink.

"I don't know. You don't hang out at the café much." Josh closed his eyes and envisioned Jeanne on one of many Fridays, packing her computer away to listen to the music with an enigmatic smile. He caught himself smiling despite his moment of misery.

“Hate coffee, hate the music scene." Eric pondered for a moment, then scowled. "You don't mean Zoe with the dreadlocks who works there, do you? She has a boyfriend already."

"No, and how do you know these things if you don't go there?" Josh queried.

"Don't ask me that." Eric shook his head with a snort. 

“Okay, I won’t. Do you know Jeanne Beaumont?” Josh closed his eyes and sighed out a deep breath.

“Not personally.” Eric raised his brows.  “Isn’t she old enough to be your mother?”

Josh groaned inwardly. “Yes, and it strangely doesn’t matter to me. I really want to get to know her better.” He felt less sure of whether he meant Jeanne the woman or Jeanne the vision, which concerned him. “I’m also pretty sure it’s hopeless.”

“Does she know you exist?” Eric propped his legs on the seat cushion opposite Josh.

“I don’t know.” Josh sighed unhappily. “She looked right at me yesterday at the cafe, but that doesn’t mean anything.”

“You want me to tell you it’s hopeless, right?” Eric growled, but he often did, so it didn’t mean anything. 

“Right. Because it is.”

Eric looked over at Josh. “It’s absolutely illogical that Jeanne Beaumont would be interested in someone twenty-some years younger, but I hear these things don’t always follow logic. What’s the worst that happens? You suffer, and you have a lot of material to write poetry about. Sounds good to me.”

Josh felt the blues settle down on him like a blanket of snow. Rejection was a pretty bad ‘worst that could happen’. “Thanks. I guess.”

Monday, June 29, 2020

A touch of depression

Trying to wake up after 12 hours sleep. I feel like I could sleep more.
This is the sign that I'm in a bit of a depression, although whether biological or situational I don't know. 



I'm convinced that I get into this state every end-of-semester, and that I can hold it off until then. My end of semester wasn't until now because I had an intense summer class I just got over with. 

So what does depression look like? At this stage, it feels like sleeping all the time and wanting to sleep more, and avoiding email. Feeling a bit down about things and not wanting to engage. Taking things a bit harder than I normally do. 

The trick here is to not go in further. Get the things done I need to get done. Not take 2-hour afternoon naps (although that's hard). Try not to think too negatively. Do cognitive exercises if I need to. Push myself to write.

If I don't get this knocked down in a couple weeks, it's time for me to see my psychiatrist for a medication adjustment. I hope it doesn't come to that. 

Sunday, June 28, 2020

Stormy with a chance of cleansing



Out the window, the sky is slate-grey and now and then lightning flashes. Thunder rumbles, further away now, but still audible. The rain picks up, then subsides. 

I could sit with this all day. I have a passion for summer thunderstorms, feeling their cleansing rain and wind. I need cleansing, given my dour thoughts and ennui. Maybe this can be my spa experience, sitting and writing as the clouds stalk across the sky.

Saturday, June 27, 2020

Soul-searching


I'm doing some soul-searching lately.

One of my dreams has been to get traditionally published. Lately, I feel like I've been held hostage by that dream.

The original reason I started writing novels instead of short fiction was because I wanted more recognition (readers) than I would get with short fiction. I wanted to establish myself as a recognized writer.

The reason I wanted to establish myself as a writer was because of what has happened to me for the past several years.

Eight years ago, two things happened at once that turned my life upside-down: my department was disbanded by the university, and I subsequently was diagnosed with Bipolar II after the stress pushed me into a severe mixed (hypomanic/depressed) episode. 

I have moods were too good. The medication I take evens out my moods, so I don't have depression. But I don't have my euphoric episodes that I mistook for self-esteem either. So I don't look at myself as that amazing person anymore, and I realize that I wasn't, and am not, amazing at my job. (I still have low-level depression, and I'm not as quick at things as I was when hypomanic.)

Back to the writing. I fell into writing because I wanted people to think I was amazing. I wanted to compensate for how I'm doing at work. I wanted to feel I was good at something, and I'm a bit addicted to external validation. 

Where does this leave me? I don't think it's likely that I will get traditionally published, given the market. I don't think I will ever get the recognition I crave. 

What I need to do is learn how to live with it.


Friday, June 26, 2020

P.S.: Good news


P.S.: I forgot to mention that I have a short story, "Inner Child", that will be published by Flying Ketchup Press in 2021! You can find the announcement Here

Excerpt from Gaia's Hands Rewrite



There is something about her, Josh wrote, letting words flow onto the page. Lush and bountiful. Cool and deep, like a forest. Like the plants she tends. He remembered the lecture he had crept into, feeling again like a stalker, even though it was open to the public. He had no reason to be there except to see her, but he remembered her speaking about permaculture guilds, plants living in mutual relationships. Jeanne and the plants …

His vision blurred. He saw a green mound where the room had been, lit by a brilliant shaft of pure sunlight. Fruit trees and vines surrounded the hill and climbed up it, glowing in the light. And under the tallest trees, two intertwined apples bearing impossibly large fruit, Jeanne stood offering one of each apple.

Jeanne, he didn’t fail to notice, was naked.

The vision dissipated as quickly as it had come. Josh found himself again in the busy room, surrounded by the murmur of voices, the people in sweaters and snowboots, winter coats hanging off chairs. 
 I’m still not used to seeing things, Josh thought. I’m not sure I’ll ever be.  He steeled himself for the repercussions of his vision, because he never saw visions without consequences. He knew the migraine would come in a few hours, but the vision dared him to press on.

The dreadlocked waitress set down his order — a red-eye — the better to try to forestall the migraine. “I don’t know your name,” she addressed him. “I’m Zoe.”

“Josh Young. I teach at the college. Instructor in English.” He surreptitiously shut his notebook to obscure the subject of the evening’s musings. 

“This is your regular order, right?” Zoe appeared to be doing some mental arithmetic in her head, Josh noticed.

“Yes. I’ll be a regular here. It’s a good place to write.” He felt himself saying the words despite his more fearful self wanting to run out and never see Jeanne Beaumont again. He thought he could feel his fate seal with those words. 

Thursday, June 25, 2020

Need ideas for retreat and refresh!



I'm not sure how to arrange some sacred writing space. By this I mean the type of space where I can recenter and recharge and dedicate myself to writing just in time for July's Camp NaNo. I've been sitting in my living room at my laptop since March 9 (not non-stop, although it feels like it) drinking coffee and typing. Even with lots of coffee and classical music, my writing just feels like more online classes and work rather than creativity.

I really could use a spa vacation. Or a writers' retreat. But this is the age of COVID, and I suspect time in the Grotto at The Elms is not safe, and Mozingo Lake has no cabins for retreat.

Looking for suggestions for how I can get a retreat under COVID restrictions!


Wednesday, June 24, 2020

Musing on the search for quality.



Sorry I'm late; I had to write a couple pages on my final paper for my disaster mental health class. So here I am:

I'm looking for another developmental editor to look at two of my novels (the two I think are most ready for prime time) to see if I can improve them some more to get an edge toward getting published. 

I love dev editors, but I wonder if this is wasted effort. I read a tweet today that suggested that agents aren't even taking fantasy at this time. But I don't know if it's wasted time and money, because I want my books to be the best they can even if I'm self-publishing. 

I wish I knew whether the issue was the market or my writing (or both?) 

Tuesday, June 23, 2020

What do I do now?



"I'm just not as compelled by your story as I would like."

This pretty much summarizes the rejections I have gotten lately, and I wish I could interpret the message so I can improve my books. What does this mean? What would it take to be compelling? 

I'm frustrated and don't know what to do at this point. I don't know whether it's just their taste or the popularity of my current memes or my writing. 

I don't know where I can send my work for review because my work has already been through a developmental editor and beta readers. Is there a type of editor for "not compelling enough"?

I don't mind criticism is there's an idea of how to remedy. I have nothing to go on here. 

Any ideas, readers? 

Monday, June 22, 2020

A Hiatus from Fiction



I'm not going to be writing too much for the next few days -- or at least I'm not going to be writing creatively the next few days. I have a big paper due Friday for my Serving Diverse Communities in Disaster paper. I'll try to knock out three pages a day so I don't get stuck doing everything at the last minute.

When I'm done with this paper, I'll be done with the summer class. But then I'll be working on improving online presence in my class this fall. But that can be paced as well, and I will have time to write. 

Wish me luck on this paper!


Sunday, June 21, 2020

A Values Crash



I didn't write yesterday. I felt too swamped with work, even though the only thing I had going was a class presentation at 8 AM. Yes, 8 AM on a Saturday. I needed the rest of the day to recover.

So today I'm going to rest. And not think about Gaia's Hands for a bit. I have never struggled so much with a book in my life. I am wondering if I should put it aside again and write something else. Like a short story or two. Or another novel. 

I'm obviously avoiding Gaia's Hands. I have been suggested to write this as a romance novel. I want this book to live up to its potential, yet I don't see romance as a way to do that. And I feel bad that I don't hold romance in a better light, because it's largely written by women and I treasure women writers. In other words, I'm suffering from a values conflict.

But it IS a romance novel, with Jeanne and Josh's relationship taking center stage. I have to get over my feelings about romance or write it romance-secondary/subplot to make it happen. If you have any advice, please let me know.

Friday, June 19, 2020

Coffee and Struggle


#nomakeup #nofilter #quarantinehair 


This is me at the local coffeehouse I've been talking about. I haven't been going very fast with my writing -- this novel just doesn't want to be written. 

I think I've written 1500 words in the past two days and rearranged another 1500. Usually when I write, it's 2000-3000 words a day, especially when I have this much free time. 

Despite my outline and my general idea of how the story goes, I'm having trouble writing it. I'm having trouble feeling the story. This shouldn't surprise me; I've been very discouraged lately. Too many rejections. Too many "this story isn't really grabbing me". I've changed the beginnings of the stories to help people get into them more, but I still fear more rejections.

So, despite that smile, I'm struggling right now. I'm looking for a breakthrough. I'm looking for a chance.

Thursday, June 18, 2020

Interrogating Josh



I'm sitting at my favorite coffeeshop with its board games on the walls, its sepia walls and Postmodern Jukebox playing on the speaker. My spot is one of the two comfortable chairs halfway up the length of the shop. My computer is perched on the stand in front of me. I'm not, however, making any headway into my story.

I stop, frustrated, and take a sip of my coffee. I buckle back down to writing, or at least staring at my keyboard.

A voice, a light tenor, spoke close beside me. "May I sit down?" 

I look up to see a slender man with black bangs threatening to fall into his eyes. I know this man; I smile and motion to the seat. "Josh, it's good to see you."

"I was in the neighborhood and -- " he shrugged. "I thought I'd come in and talk." He sat on the other upholstered easy chair.

"You're just the person I wanted to talk to," I replied. Josh nodded as if he already knew that. Which, of course, he did, being a figment of my imagination.

Talking to one of my characters always felt eerie, like the veil had lifted between this world and the world I wrote about, which looked remarkably alike except for the presence of Powers. Josh, slight and young as he was, held some of that power, and I could feel it in the economy of his movements, in his direct gaze.

"So, Josh," I began, a little nervous. "You've grown."

"Not really," he said wryly, indicating his slight build. "I've just gotten older."

"That's the point. You know what you want now. You're not having the puppy crush you had a few years ago." Josh's crush on Jeanne Beaumont, the botany professor, was standard knowledge between the two of us. 

"I still want Jeanne. Maybe I can get her to believe me now. But still, I'm ..." Josh trailed off, and I finished off the sentence in my mind. Twenty years younger. 

"But this is Jeanne," I offered. "Jeanne's not exactly -- typical."

"That's good. Neither am I," he smiled ruefully.

That's an understatement, I thought. I imagined I could feel his ki, his energy bunched up in his solar plexus. True power was always quiet, needing not to introduce itself unless necessary. 

"So, what now?" I asked him out of the companionable silence.

"I introduce myself. Worst that can happen is we end up being friends. Or I make a fool of myself." He looked at his hands.

"But that's not going to stop you, is it?"

"No. My gut tells me this is what I need to do." His gut. His ki. The source of his quiet assuredness.

And this is how the story will start.

Wednesday, June 17, 2020

A Tiny Bit of Progress



I actually wrote a little on Gaia's Hands (the rewrite) yesterday. Not much, because I had to cut and hide a few things for a later scene and make some decisions that took a bit of time, but I got some written.

I have a better idea of Josh these days. (I've always had a good idea about Jeanne.) He's actually a pretty interesting person, given a few years and an instructor's position at the university. 

I've been having such a struggle with this particular book (possibly because it's a rewrite, possibly since I'm using the Save the Cat template from scratch instead of retrofitting it, possibly because it's a romance, and I just don't see myself writing romance.

But Jeanne and Josh are a couple, a tightly bonded couple, so their origin story needs to be told. And I'm the one to tell it.

Tuesday, June 16, 2020



I'm going to get out for coffee today! 

In the days of COVID-19, this is going to look a bit different than it used to. The cafe, hopefully, will let us sit 6 feet apart, and I will be wearing a mask when I'm not sipping coffee. 

I'm hoping for some good inspiration this morning for Gaia's Hands. I have come to the conclusion that I've plotted as much as I can, and so I have to start getting things on paper. Given that this is a huge rewrite, I do have an idea of where things go, but there are still portions that are underdeveloped that I have to write. Lots of portions.

I'm going to keep this short because I have to work on getting information for a presentation this morning. Wish me luck!

Monday, June 15, 2020

... I need to write it anyhow.



I think I'm finally to the point where I can write about Jeanne and Josh's unusual romance. 
I can tell because I'm getting a crush on Josh. Don't you get crushes on your characters? 

Josh is not a typical romance hero -- he's slight, he's young (25), he's a mild-mannered instructor of English. He's a pacifist, he has second Dan rank in aikido. He's half-Chinese. He practices folk Shinto and believes in spirits.

Jeanne, to be sure, is not a typical romance heroine -- she's a professor of botany who climbs on her soapbox occasionally to rant against factory farms. She's 45. She's zaftig and can lift 50 pounds easily. She's eminently practical.

I know they're not the romance characters women want. But maybe they're what we need. I wanted representation of the people we don't see in romance novels -- big women, slight men. Asian men. Brainy women. Some role reversal. Nerds in love. Unlikely heroes.

I know this will probably never sell, especially as it's also fantasy. But I probably need to write it anyhow. 

Sunday, June 14, 2020

A character sheet for Josh



Sunday morning, classical music playing, fresh-roasted-and-ground coffee (courtesy of my husband) and a cat next to me. What more could I want?

I want to get back to writing about Josh and Jeanne, and I'm still struggling. The old Josh was problematic, and so I'm doing some tweaks to the character, and I'm not sure who he is yet. I know his basic stats:

Age: 25

Appearance: about 5'7", slender build but physically fit due to bike riding and aikido; brown-black hair that threatens to fall into his eyes, dark brown eyes, wide but almond-shaped. Half-Asian. Moves gracefully. (I have no picture of Josh. I know what he looks like from doing one of those fun internet searches that writers do, but I don't think it's right putting up a pic of a real person here.)

Speech: Thoughful, tenor voice; frequently tinged with humor

Personality: Calm, a little reserved, friendly. Perceived as "a really sweet person".  Tends not to show anger -- most of the time. A bit bookish; perhaps a little eccentric (see below)

World view: Josh believes in folk Shinto, a belief system where objects of nature, such as trees and rocks, possess spirits or kami. As such, he believes that Jeanne's "green thumb" comes from kami who are attracted to her. This remains to be seen. As a practitioner of aikido, he is also a pacifist, but will defend himself and other people.

Vocation: He is an instructor of creative writing at the University where he did his undergraduate work. He's pretty new at teaching, and makes hilarious mistakes at times. He is the faculty advisor of the Slam Poets club, having once been a member. He thinks about getting his PhD and becoming a professor, believing it will give him more flexibility in the job market.

Hobbies: As said before, he is a practitioner of Aikido, having reached 2nd Dan. He writes poetry and stories in his spare time, and uses a bike for transportation three seasons a year. 

Mannerisms: brushes hair out of eyes.

Favorite saying: Some things defy explanation.

Family: Only child. Father -- Doctor; Mother -- now working part-time at a florists shop. Mom is underemployed, as she is very artistic. Relationship to father is close but reserved; relationship to mother is slightly difficult because she can be nitpicky. He has cousins on both sides of the family, but both sides are older than him and not close.

************
This is all fine and good, but I have to make a more complete character out of him.

There's more, there has to be more. This is the part I'm struggling with: this is a romance novel. How does he deal with falling in love? (I'm expecting he sits in the friend zone and things happen slowly until "Oh, wait a minute, where did this come from?") But how romantic is that really? Does it matter?

I'm a bit more bewildered when it comes to sex (although I'm not going to get explicitly sexy in this book). I'm assuming he's a virgin because he wanted to be deliberate in his choice and because he has the patience to wait. I also assume he's read up on it. A lot. So he wouldn't be totally ignorant, but a bit clumsy.

*************
What's missing is actually writing in the character's voice. I'm not sure I have a feel for that yet. 


Saturday, June 13, 2020

Both sides of the educational equation



I think college professors should take college classes every now and then. It gives us an insight as to what we're doing to our students.

I'm taking an online course on Serving the Diverse Community During Disaster. It's a great class, as all my classes in disaster mental health have been. However, these are the thoughts that keep going through my mind: 

  • This class is only five weeks long! How am I going to get all this done in such a short time?
  • I hate group projects.
  • I have 150 pages to read each week! 
This is what I put my students through (except they probably only read half as much in a week). These things are necessary for learning, and the pace is necessary for a summer class. So when I'm teaching, I have to incorporate lots of reading, group projects, and all those assignments. 

But when I'm a student, I see it from the students' point of view, and I have to remind myself all is wise and necessary.

Friday, June 12, 2020

A Visit to My Psychiatrist




One thing I haven't talked much about in this blog-- I live with Bipolar II disorder. To put it in short and demystifying language: without treatment, I have mood swings. Depressions are deep with thoughts of suicide when I feel things are hopeless. Hypomania is starting a lot of projects, not finishing them, thinking I am especially blessed by God, then swinging into easy irritability. I often manifest with either ultra-rapid cycling or mixed-episode type -- it's hard to tell these two apart, but I can at times go from elated to depressed in a single week.

Diagnosis can be difficult. Especially in its milder version (Bipolar II doesn't manifest in full-blown mania), mania can look like ADHD, anxiety, or even a particularly charismatic personality. So depression is diagnosed as ordinary depression, and because the mania side is not treated, stability is not achieved. 

Treatment for people with bipolar disorder generally receive a cocktail of medications to treat it. Some people can get away with just one med; I, like many others with bipolar, have to take four medications a day to tweak my chemistry in the right place. It takes a while to adjust the meds correctly, and a few people don't get good control with medications.

Lifestyle changes are as important as well. Avoiding alcohol helps prevent depression. Regular sleep habits help greatly, and stress management methods like cognitive journaling help reduce stress that can throw off one's chemistry. Many people need a therapist or social worker to work through the implications of a life-changing disorder. 

Because I'm in good control right now, I see my psychiatrist every two to three months. Generally, he asks me how things are going with the meds and my mood, and then he just chats with me. I sometimes think he gets better information from me by watching me talk than he does with the direct questions because he can observe mania or depression by my tone of voice, pace of speech, and hand gestures. But he also trusts my observations, because I have a good awareness of where I'm at, at least when I'm depressed.

I have to have certain medical tests because of one of the medications I take, lithium carbonate. Lithium can damage the liver and kidneys, so these have to be monitored. It can suppress thyroid, necessitating monitoring of the thyroid as well. In addition, lithium blood levels can grow to toxic levels as a result of dehydration, illness, or even taking ibuprofen or other NSAIDs. I have had mild lithium toxicity; it is not pretty. 

I live with the awareness that stressors can catapault me into an episode, and I need to keep an eye on that. I had a severe episode when I was first diagnosed because my department was being disbanded by the university. The COVID-19 stressors, especially when moving classes online, might have triggered some depression (I'm not sure, so it must be minor). 

So I'll visit my psychiatrist today. I'll go to the lab Monday and get my blood tests. And all will be well. 

Thursday, June 11, 2020

My favorite coffeehouse is opening back up!

Pre-social distancing.


My favorite coffeehouse is opening next week! It's the Board Game Cafe in Maryville, MO (I believe I've talked about it before), filled with board games, good coffee, and a congenial staff.

I'm trying to figure out how I can spend some time in there safely. I guess I could wear my mask and make sure I only take it off when drinking coffee. It's easy to set 6 foot distance in there, and seldom does it get more than 10 people in it. 

I crave the coffee, I crave the company, and most of all I crave the interesting space for writing. Quirky music, people to watch, and occasional hilarious interactions. 

I know I'll be at a little risk there, but very little with social distancing and my mask. The benefit far outweighs the risk.


Wednesday, June 10, 2020

Need some Inspiration



One of the problems with COVID-19 is the lack of inspiration. I am having trouble writing because there's no break in the scenery. I could sit outside and write, but my more portable laptop currently has the problem of not working (and I can't get it fixed because of COVID). 

I've been out three times since the stay-at-home order came out. I'm getting pretty tired of my living room. I'd love a cabin retreat somewhere, but our local cabins are perpetually full, probably from people in the same predicament as I'm in. 

The Game Cafe is open next week, and I'm contemplating going there to write with my mask and my hand sanitizer. I'm still scared about COVID, of course, but I'm so tired of my living room.

(I have been writing this with my "broken computer", which was suffering from a missing cursor. It just updated -- so far, so good. Let me see how this works out -- oops, there it goes)

So I need to think about workarounds. How do I get motivated? How do I find new scenery? What is it I need to be doing right now? 




Tuesday, June 9, 2020

Stormy Weather



Apparently, the tail end of a tropical storm is supposed to hit us this afternoon in Maryville, MO. That's a long way for a tropical storm to go. We've been warned with possibilities of heavy rain, large hail, and a tornado or two. As a Midwesterner, I'm used to the possibilities of heavy rain, large hail, and a tornado or two, so I will spend the afternoon working on the computer and keeping one eye out the window for that greenish sky that presages hail.

I'm currently taking a class on Serving the Diverse Community During Disaster, which is a pretty intense class. Right now I wonder how well my community is planning for people whose experience and needs are different than those of the majority of the community: people of color, people with mental illnesses, the poor, the physically disabled. I try to join the planning but I'm rebuffed because I'm not an emergency management person and they tend to be cliquish. 

 It feels like all the current threads are coming together at this moment: civil rights, the pandemic, natural disasters, and compassion. I find myself reflecting, praying because I don't know what else to do. 

Monday, June 8, 2020

Where did my romantic self go?



I'm still struggling with Jeanne and Josh and the whole concept of a romance.

I don't know why. I know Jeanne and Josh fall in love and get married, because they're married in a later book. I know they end up tumbling in bed eventually, and then Jeanne gets freaked out about the mystical things they're doing and breaks up with him. Then they get back together and perform a miracle. I know this. 

But I can't make it coherent. Furthermore, I am having trouble writing the romantic subtext. When do they start getting affectionate with each other? How do they tumble each other into bed? 

I must be getting old, because I used to be able to write this, no problem. But now I'm having trouble with mechanics. Not "tab a, slot b" stuff, but "How does this progress? How do people actually communicate about the sex?" I doubt it's as easy as "Let's have sex", although I believe that's how my husband and I did it. This is a romance novel (theoretically) and I want to make it romantic in an understated and modern manner. 

Maybe I need to get a better feel for Josh and Jeanne again. I've devoted this morning to trying to write a romantic scene with the two.

Wish me luck.


Sunday, June 7, 2020

Submitting my Smaller Works



I got another acceptance yesterday.

A small press called Flying Ketchup Press has accepted my short story "Inner Child" for their issue entitled “Time, Space & Robot Dogs” to be published in 2021.  "Inner Child" is about a therapy session gone bizarrely, humorously wrong. 

This is the second writing I have had accepted in the last two weeks, which leaves me optimistic. The first was a poem about COVID-19 that I have linked to in an earlier page. I haven't had so much luck with the novels, and I'm hoping the good fortune rubs off on them. 

What is my advice to anyone with short stories, poems, and the like who want to get published? 
  • Get yourself a copy of Submittable or find the Submittable website
  • Set a budget for how much in readers' fees you want to spend a month (most submissions have readers' fees to help defray the cost of reading, publishing, etc.
  • Find some calls for submissions that fit your writing
  • Check the calls out before submitting!
    • Check to see if they have a web presence
    • Look at their mission statement
  • Make yourself a strong cover letter. Here is an example of how to do this
  • Submit using the forms in Submittable
Many times, when I get a rejection, it comes with a critique, which to me is a gift. Anything to help me understand how I can improve my work will make me stronger as a writer. I just got a rejection the other day where two of my three poems would benefit from editing, not even that much editing. And out they will go again. 


Saturday, June 6, 2020

Fear of Consummation



I got a poem about COVID-19 published HERE.

I've noticed something about my poetry. I do best when given a topic, apparently, because my topical poetry seems more likely to be published. I haven't had luck with my other poems, and I think it's because I don't tend to finish them.

I'm not sure why. Maybe because I'm writing out of emotions and not out of storytelling. Maybe I'm afraid to finish those poems because they're emotional. (Most of them, it seems, are out of observing someone I'm attracted to, fantasy, etc. Like maybe I'm scared to go out the other end, which is about fulfillment or heartbreak.

This is important, because I'm rewriting this fantasy/romance novel. Jeanne and Josh are going to have to fall in love, they're going to have to come close and fall back, make love and become estranged. I'm going to have to be less constrained. 

I'm going to have to lose some of this reserve, this hiding how I really experience feeling. You know, at 56, I thought I'd have figured it out by now.

Friday, June 5, 2020

An Excerpt from the Rewrite of Gaia's Hands




I'm struggling to get back into Gaia's Hands. I have a rough outline, but no motivation because I'm making a timeline and I'm bad at dates. But here's the first scene:
*********

Josh Young crept into the lecture hall with its white walls and rows of chairs that had seen better days. He slipped into a seat toward the front, where few people sat, knowing his passage would go unnoticed. Short, slight men, he considered, tended to be overlooked. That could be a good thing, because his purpose was to study the speaker, Dr. Jeanne Beaumont, associate professor of plant sciences and permaculture expert at the University.

Josh had first encountered Jeanne on the podcast, Green Things and Felicitations, sponsored by the University's Media Relations, where she talked about home gardening techniques and developed enough of a following to attract the attention of a Chicago tv station that invited her on their morning show a few times.

Jeanne stood near the podium, a Rubenesque woman with greying chestnut hair pulled back in a ponytail. In real life, Josh realized, she wore the same smile, warm and amused. He would love that smile turned in his direction. But he was twenty-odd years younger, not much older than her students, many of them sitting in this lecture for extra credit. She would probably think him cute, and he bristled at being dismissed as cute.
 
Jeanne stepped up to the podium. Her contralto voice carried to the back of the room: “I know this is not a classroom lecture, but I’m used to people talking back to me, and half the people here are my students anyhow, so I’m going to ask questions. I hope you ask them as well.” Josh chuckled, amused.

“This lecture, as you know,” Jeanne began, “involves permaculture, or the use of perennial food plants rather than annual food crops. It’s a different mindset, because the idea is to plant these perennial food plants together. Permaculture depends on mutual relationships among plants —“ Jeanne gestured with interlocking hands; her voice reached to the back without amplification. Josh wondered how she could do that.

“What kinds of relationships do plants have? One-night stands?” a wag inquired. White-blond hair topped his smug expression.

“I can get back to you later about plant reproduction if you give me your name and email,” Jeanne smiled, then continued. “And CC your prof because I think he’d be interested in hearing about this.” Bravo! Josh thought, stifling a laugh. 

“Permaculture scientists and developers create guilds of plants based on mutualistic relationships in the wild. First off, not all plants get along together. Does anyone know what garlic mustard is?” Jeanne gestured to a woman at the front of the class who sported a head full of red and black braids. 

“You’re thinking about the plant with the white cross-shaped flowers, right?” the woman inquired.

Jeanne stepped to the podium for a moment; a large picture of a white-flowered plant with triangular, jagged leaves popped up on the screen. “This picture does no justice to the smell.” A few people laughed.“Yes. That’s how you can tell a mustard, by the way, which is why the mustard family is called Cruciferae, Latin for ‘cross’.”
 
“What do you see growing near it?” Jeanne asked, smiling.

A pause, then: “You don’t see things growing near it. It just takes over.”

“Exactly,” Jeanne continued. “Garlic mustard is negatively allelopathic. It doesn’t attack other plants directly. It evolved to reduce the amount of mycorrhizal fungi in the soil.” Jeanne clicked again, and the picture showed roots entwined with a fuzzy mold. “Those mycorrhizal fungi share a symbiotic relationship with plants to help them utilize soil nutrients. What does symbiotic mean?”

“Mutually beneficial relationship.” Josh looked back at a young man with wispy blond hair and glasses. 

“Yes and no. Not all symbiosis is mutually beneficial — for example, dodder, a parasitical plant, is symbiotic with its host, which it eventually kills.  It’s a parasite. The relationship between mycorrhizae and plant roots benefit both the fungus and the plant so it is a type of symbiosis we call mutualism. Some edible plants like to crawl up trees – for example, climbing spinach, vine asparagus, hardy kiwi, thicket bean, and even kudzu. Some of those climbers, like thicket bean or kudzu, fix nitrogen to the soil with the help of beneficial bacteria.”

Jeanne spoke about her permaculture gardens in terms of their relationships, almost as if they were a community, and Josh guessed that to Jeanne, they were. Had he ever looked at a group of plants as a community? He didn’t think so. 

“Some edible groundcover plants live in the shade from the tree. They provide natural weed control. Understory bushes grow in dappled shade and give us berries. Herbs attract insects that pollinate and that eat destructive bugs. Finish that off with root crops that keep the soil from compacting and perennial leaf crops that provide lots of greens. That is a permaculture guild, from the rhizobium bacteria to the top of the fruit tree.”

“So all these plants have to be edible?” a tiny, dark-haired woman in all black garb near him asked. 

“That’s the point. We eat stuff at the grocery store that’s mass farmed – farmers pump artificial fertilizer and pesticides into the field, biologists breed plants for their shipping capacity, and we end up with a tomato that tastes like a third-grader’s art project.

“This process does not sustain the ecological balance – the soil burns out from lack of soil-building decayed plant material called humus, and artificial chemicals replace the natural minerals from humus. The pesticides kill the natural predators for harmful insects and the pollinators. The fruits and vegetables become less nutritious and contaminated. And now we’re finding some of these chemicals cause cancer.

“If you talk about permaculture without the science, people think you’re a crackpot. Think about it this way – the current system works to get a lot of people fed as efficiently as possible. Its advantages are visible, and its disadvantages are invisible. You can’t preach a system that isn’t proven to the average person. You can’t change people’s habits unless you make the change easy. Knowing that, my mission isn’t to talk, but to breed plants and design permaculture guilds that are high yielding, perennial, and tasty to consumers. Like a grocery store in every backyard.”

“That’s why you needed to improve the size of the Jeannie Beans.” The grey-haired man who spoke sat toward the middle of the room. 

“Honestly. Jeannie Beans?” Jeanne asked with comical dismay, as people laughed. “For those of you who don’t get the joke, I have a plant patent for an improved thicket bean that bears larger beans that are easier to harvest. The patent name is ‘JB94’ but someone in Media Relations nicknamed it for me.” She shrugged dramatically, and Josh chuckled. “But yes, that’s why. Even though permaculture reduces the tillage of soil and improves its health dramatically, it needs to be marketable as well as beneficial. People don’t drastically change their habits just because it’s good for them.”

When the lecture ended, a small group of people, mostly older, clustered at the front of the room to talk to Jeanne. Josh considered joining them for a second, hoping to greet Jeanne, but didn’t want to look like what he actually was: a puppydog. He felt the pull as he looked over his shoulder one more time, then walked away, dissatisfied.

At the front of the lecture hall, Jeanne looked over from her throng of well-wishers for a moment, thinking she had missed something. She found herself looking at a young man who looked over his shoulder, shrugged expressively, then walked away. He wore his frustration in his graceful posture, moving like a dancer. She wished he had stayed to talk for even a moment.

Later, Jeanne sat in her living room, an inviting place in pale gold and burgundy. In her favorite chair, she reviewed the presentation she had just given. It had worked out well, and people had asked questions, which surprised her. Pleased, she tucked the memories in the back of her mind – or tried to. Because there was that one man, graceful, with black hair falling into his eyes. The one who had looked back at her.

He looked familiar – she had seen him around town, at the cafĂ© she frequented. She recalled him – one of the slam poets, with dark eyes and ivory skin, and the straight black hair he had to push back now and again. A slender build, a weakness of hers, especially with that grace of his.

Jeanne wished she had gotten to talk with him. She pushed that thought away, because she was old enough to be his mother.

Thursday, June 4, 2020

PitMad



Hope, I hear, springs eternal.

I have prepared my pitches for #PitMad today. #PitMad, for those of you who don't know, is an opportunity for un-agented writers (like me) to tantalize agents with 280-character pitches for the books resting uneasily on our computers.

I have had no luck so far on #PitMad. I think part of the problem is that I'm not easily sorted into a niche. In PitMad parlance, I write paranormal, but I don't write about vampires or werewolves, just immortals. In regular querying, Query Tracker doesn't even have a category for Paranormal. Maybe Contemporary Fantasy, because I don't write about medieval chain mail battles with dragons. 

I'm feeling skeptical about PitMad as usual, but if I don't try, I'll never know if it works.

******
My pitches:

Anthropologist Anna Schmidt must chase the origins of a folk legend in the aftermath of the United States’ collapse to keep her sanity; instead, she finds the truth behind her missing childhood – and her role in stopping a genocide. #A #F #P #PitMad

Grace Silverstein, an eighteen-year-old viola prodigy, hides her secret talent, even from herself, until she and her friends are sought by a shadowy consortium who would destroy the United Nations and hundreds of lives with it. #P #F #A #PitMad

Wednesday, June 3, 2020

I, a mere beginner, must learn to fight for my black neighbors



I hate injustice. I hate seeing anyone in pain. 

I hate what is being done, has always been done to black people in the US.

I have always hated it, but I have been complacent.

I need to listen, because my well-meaning acts could make things worse.

I need to speak out, because words are my gift.

I need to learn what I can do to change this inhumane status quo.


Monday, June 1, 2020

Dreaming of the Pandemic



I think this social distancing thing is getting to me.

I dreamed last night that I was at my alma mater, University of Illinois, and I was teaching there. And I had forgotten my mask and was wandering across campus -- out of Noyes Lab into the Union, looking for something to drink. Nobody was wearing masks or social distancing. People sat on the Quad together, having picnics and playing Frisbee. In the Union, I stood in line with a bunch of people, and the line grew so long they shut the door behind me. 

Back into the halls of the Union (and, alas, this was the new Union, the one that no longer had the beautiful hotel lobby in the front entrance), I run into a tall, bulky man with long red hair and a beard, dressed in Renaissance garb, and we give each other a big hug. I gave another man a hug -- he was more my height, skinny and blond. 

As I walked out to the Quad, I knew I would have to explain to Richard that I had broken social distancing big time. I couldn't help it, I told myself, because I had walked out of my house into this new bacchanalia, where we lived life in abandon, waiting for the contagion to take us. 

When I woke up, I had a little bit of a sore throat, and I felt guilty, thinking I had caught the virus, until I realized that my social freedom was just a dream.